Luise F. Pusch
Sonja
Leslie Feinberg
Stone Butch Blues
Alison Bechdel
Dykes to Watch Out For
Audre Lorde
Zami
I think, write and design. My medium is language and its visual form. At the intersection of text and image, I put ideas into words and communicate them with language and custom lettering.
As a designer working for clients, I develop concepts and ideas that use letterforms to make the character of people, brands and products visible and appealing.
As an artist, I am interested in letterform conventions and common language. I push the familiar characters of the alphabet to the limits of legibility, where letters cease to be letters and become random graphic shapes. And I collect things people say in order to examine the ideas behind common manners of speaking and to show that what goes without saying is not always understood.
As a teacher and author, I pass on my knowledge and encourage others to find their own way.
As program director of the Berlin Letters Festival and organizer of the Hamburg Typostammtisch, I create spaces where people can meet and exchange ideas.
As a speaker, I put into words how I see the world so that others can recognize themselves and find inspiration. My openness allows the audience to open up too. I am often told that I am authentic.
Foto: Alexandra Polina
ART Magazin, Chrismon, FLOW, GEOEpoche, GEOSaison, GEOMini, UniSPIEGEL, SPIEGELWissen
Nest One, New Work SE, Filmfest Hamburg, Fuenfwerken Design AG, G.W.A Westphal Tee, Ketchum Pleon, opus 5, Zimmermann Editorial,
Museum für Kunst und Gewerbe, Hamburg
Museum für Konkrete Kunst, Ingoldstadt
Bundesministerium der Finanzen
28. 19. 2024
Graphit Symposium, Erfurt
7. 7. 2024
Berlin Letters Festival
13. 5. 2024
beyond tellerrand, Düsseldorf
15. 11. 2023
c't <webdev> 2023, Köln
8. 10. 2023
Lettering Days München
13. 6. 2023
Museum für Kunst & Gewerbe, Hamburg
19. 10. 2022
Adobe MAX, Los Angeles
9. 4. 2022
Tag der Schrift
Schule für Gestaltung Zürich
17. 5. 2019
Berlin Letters Festival
18. 5. 2018
TYPO Berlin
24. 5. 2017
TYPO Berlin
17. 5. 2017
in der Reihe »Spezial Material«, HAW Hamburg
21. 4. 2016
Hochschule Trier
10. 12. 2015
Gastvortrag an der BTK Berlin
Pecha Kucha Night Hamburg, Imperialtheater
18. 2. 2015
Pecha Kucha Night Hamburg, St. Johanniskirche
20. 11. 2013
Pecha Kucha Night im Buchstabenmuseum Berlin
16. 3. 2013
VaroomLab Symposium, Arts University Bournemouth
18. 9. 2014
3. Illustration Research Symposium, Ethnographic Museum Krakow
8. 1. 2012
Queertopia! 4.0: Queer(ing) Poetics: Text, Method, Movement, Thought; Northwestern University
28. 5. 2011
Making Space – Annual Art History Graduate Student Conference; Concordia University, Montréal
12. 3. 2011
Einführungskurs Schrift im Studiengang Illustration,
Sommersemester 2020, 2021, 2023, 2024
Laborkurs
Wintersemester 2022
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Wintersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2013
Experimentelles Lettering
Sommersemester 2021
Blockseminar während der Projektwoche, 3. 2017
Blockseminar während der Projektwoche, 12. 2014
Lettering Days München
7. 10. 2023
HAW Hamburg
1. und 2. 4. 2023
TypeCon, Minneapolis
29. 8. 2019
Berlin Letters Festival
18. 5. 2019
Sketchnote Barcamp Hannover
2. 11. 2018
TYPO Berlin
17. 5. 2018
in der Künstlerbuchreihe »100for10«
Melville Brand Design, München
1. edition 2020
more about this book
Verlag Hermann Schmidt, Mainz
1. edition 2019
more about this book
Slanted Publishers, 2023
ISBN 978-3-948440-53-4
Marty Blake
Bloomsbury Publishing, 2021
ISBN 978-1-35006691-5
Stipendiatin des Landes Niedersachsen
2023
Neustart-Stipendium
2022
Stipendium für zwei Gastsemester an der École nationale supérieure des Arts Décoratifs, Paris
2005
Reisestipendium
2001
Deutsch-Französischer Praktikant*innen-Austausch
2001
Nina Kirst
PAGE
Ausgabe 9. 2023
Raphael Dillhoff
ART Magazin,
Ausgabe 4/2022
Ramona Weyde
Handschrift Magazin,
Ausgabe 18 und 19, 2022
Laura Bertinelli
Mary Hemingway
Design by Women
3. 2. 2022
Jan Oberländer
Tagesspiegel
15. 10. 2021
Lena Simonis
PAGE, Ausgabe 6. 2021
Maria Schraml
Papier Direkt Blog
30. 10. 2020
Sabine Danek
PAGE
8. 9. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
VARIO BüroEinrichtungen Blog
13. 4. 2017
Folge 23, 17. 10. 2024
Folge 98, 25. 1. 2024
Folge 147, November 2023
15. 9. 2023
ein interdisziplinäres, branchen- und spartenübergreifendes Netzwerk für Geschlechtergerechtigkeit in Kultur und Medien
Netzwerk für Frauen in Type-Design, Lettering und Typografie
Berufsverband deutschsprachiger Illustrator*innen
Verein und Museum zur Wahrung und Dokumentation von Buchstaben
There were two bookshops in Walsrode: one carried school supplies and one carried literarure. Guess in which of the two I did an apprenticeship as a bookseller after high school.
Across the street from the literary bookshop was the editorial office of our local newspaper, the Walsroder Zeitung. I always wanted to write, so one day I crossed the street and stammered: »I’m a bookseller in training, can I write book recommendations for you?«
I learned to write and take photos as a local reporter at a rate of 20 Pfennigs per line and 20 Marks per picture. Along the way, I became very good at writing proposal prose and managed to live abroad on scholarships, for a total of three and a half years, twice in Paris and twice in the USA.
After my apprenticeship, I wanted to study and was undecided—journalism or design? But drawing was the only thing I kept trying, even though I was never satisfied with the results. And because all the great picture books in the bookshop came from HAW Hamburg, that was where I went to study illustration.
I often found my classes superficial. Instead of compositional questions, I wanted to talk about what I actually do when I make pictures—do I depict reality or do I create it?
In order to pursue this question, I got myself a Fulbright grant and studied Visual and Critical Studies at the School of the Art Institute in Chicago after graduating. Above all, that meant reading Walter Benjamin and Roland Barthes, for four semesters, in every course, in English.
After my master’s degree, I worked as a freelance graphic designer for companies and publishing houses like Gruner+Jahr.
In 2014, I decided to specialize in lettering and called my studio All Things Letters. This way, I no longer had to choose between writing and designing and could work on form and content at the same time.
Since then, I have designed everything with letters for publishers, agencies and companies. I wrote six books about lettering and type design and I also pass on my knowledge in workshops, lectures and on social media.
Besides my nerdy expertise for letters, I really enjoy creating spaces that allow people to meet and exchange ideas, both offline and in the virtual. That’s why I organize the bimonthly Typostammtisch meetup in Hamburg and founded the Berlin Letters Festival with three friends.
Shooting club
1989
Wuermeling-Pass
1990
Job application
1993
Job application
1993
Driver’s License USA, 1995
Driver’s License Germany
1996
Job application
1996
youth group leader
1998
Student ID
1998
job application (short hair!)
1998
job application
1998
application internship
2000
application art school
2001
International Student ID
2004
Passport
2005
Carte Orange, Paris
2005
Student ID, Paris
2005
application Fulbright grant
2009
Visa USA
2010
Visa USA
2011
Student ID SAIC Chicago
2010
Visa India
2012
ID Card
2015
website update
2021
Books that shaped me, in more or less chronological order.
Luis Murschetz
Der Maulwurf Grabowski
Jörg Müller
Alle Jahre wieder saust der Presslufthammer nieder
Christine Nöstlinger
Wir pfeifen auf den Gurkenkönig
Ursula Wölfel
Die grauen und die grünen Felder
Gudrun Pausewang
Die Wolke
Gudrun Pausewang
Die letzten Kinder von Schewenborn
Anomym
Fragt mal Alice
Ken Follett
Die Säulen der Erde
Kazuo Ishiguro
The Remains of the Day
Maya Angelou
I Know Why the Caged Bird Sings
Zora Neale Hurston
Their Eyes Were Watching God
Richard Wright
Black Boy
Robert Penn Warren
All the King’s Men
Luise F. Pusch
Sonja
Leslie Feinberg
Stone Butch Blues
Alison Bechdel
Dykes to Watch Out For
Audre Lorde
Zami
Annie Ernaux
La Place
Birgit Vanderbeke
Das Muschelessen
Hermann Kant
Die Aula
Rebecca Solnit
A Field Guide to Getting Lost
Shalija Patel
Migritude
Kenneth Goldsmith
Uncreative Writing
Rebecca Solnit
Men Explain Things to Me
Radclyffe Hall
The Well of Loneliness
Karen Köhler
Wir haben Raketen geangelt
Didier Eribon
Rückkehr nach Reims
Anke Stelling
Schäfchen im Trockenen
Ali Smith
Public Library
Marlen Haushofer
Die Wand
Tara Westover
Educated
Svetlana Alexievich
Voices from Chernobyl
Ocean Vuong
On Earth We’re Briefly Gorgeous
Siegfried Lenz
Deutschstunde
Robin Wall Kimmerer
Braiding Sweetgrass
Since 2020, I’ve been keeping a reading list of all the books I read.
I think, write and design. My medium is language and its visual form. At the intersection of text and image, I put ideas into words and communicate them with language and custom lettering.
As a designer working for clients, I develop concepts and ideas that use letterforms to make the character of people, brands and products visible and appealing.
As an artist, I am interested in letterform conventions and common language. I push the familiar characters of the alphabet to the limits of legibility, where letters cease to be letters and become random graphic shapes. And I collect things people say in order to examine the ideas behind common manners of speaking and to show that what goes without saying is not always understood.
As a teacher and author, I pass on my knowledge and encourage others to find their own way.
As program director of the Berlin Letters Festival and organizer of the Hamburg Typostammtisch, I create spaces where people can meet and exchange ideas.
As a speaker, I put into words how I see the world so that others can recognize themselves and find inspiration. My openness allows the audience to open up too. I am often told that I am authentic.
ART Magazin, Chrismon, FLOW, GEOEpoche, GEOSaison, GEOMini, UniSPIEGEL, SPIEGELWissen
Nest One, New Work SE, Filmfest Hamburg, Fuenfwerken Design AG, G.W.A Westphal Tee, Ketchum Pleon, opus 5, Zimmermann Editorial,
Museum für Kunst und Gewerbe, Hamburg
Museum für Konkrete Kunst, Ingoldstadt
Bundesministerium der Finanzen
28. 19. 2024
Graphit Symposium, Erfurt
7. 7. 2024
Berlin Letters Festival
13. 5. 2024
beyond tellerrand, Düsseldorf
15. 11. 2023
c't <webdev> 2023, Köln
8. 10. 2023
Lettering Days München
13. 6. 2023
Museum für Kunst & Gewerbe, Hamburg
19. 10. 2022
Adobe MAX, Los Angeles
9. 4. 2022
Tag der Schrift
Schule für Gestaltung Zürich
17. 5. 2019
Berlin Letters Festival
18. 5. 2018
TYPO Berlin
24. 5. 2017
TYPO Berlin
17. 5. 2017
in der Reihe »Spezial Material«, HAW Hamburg
21. 4. 2016
Hochschule Trier
10. 12. 2015
Gastvortrag an der BTK Berlin
Pecha Kucha Night Hamburg, Imperialtheater
18. 2. 2015
Pecha Kucha Night Hamburg, St. Johanniskirche
20. 11. 2013
Pecha Kucha Night im Buchstabenmuseum Berlin
16. 3. 2013
VaroomLab Symposium, Arts University Bournemouth
18. 9. 2014
3. Illustration Research Symposium, Ethnographic Museum Krakow
8. 1. 2012
Queertopia! 4.0: Queer(ing) Poetics: Text, Method, Movement, Thought; Northwestern University
28. 5. 2011
Making Space – Annual Art History Graduate Student Conference; Concordia University, Montréal
12. 3. 2011
Einführungskurs Schrift im Studiengang Illustration,
Sommersemester 2020, 2021, 2023, 2024
Laborkurs
Wintersemester 2022
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Wintersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2013
Experimentelles Lettering
Sommersemester 2021
Blockseminar während der Projektwoche, 3. 2017
Blockseminar während der Projektwoche, 12. 2014
Lettering Days München
7. 10. 2023
HAW Hamburg
1. und 2. 4. 2023
TypeCon, Minneapolis
29. 8. 2019
Berlin Letters Festival
18. 5. 2019
Sketchnote Barcamp Hannover
2. 11. 2018
TYPO Berlin
17. 5. 2018
in der Künstlerbuchreihe »100for10«
Melville Brand Design, München
1. edition 2020
more about this book
Verlag Hermann Schmidt, Mainz
1. edition 2019
more about this book
Slanted Publishers, 2023
ISBN 978-3-948440-53-4
Marty Blake
Bloomsbury Publishing, 2021
ISBN 978-1-35006691-5
Stipendiatin des Landes Niedersachsen
2023
Neustart-Stipendium
2022
Stipendium für zwei Gastsemester an der École nationale supérieure des Arts Décoratifs, Paris
2005
Reisestipendium
2001
Deutsch-Französischer Praktikant*innen-Austausch
2001
Nina Kirst
PAGE
Ausgabe 9. 2023
Raphael Dillhoff
ART Magazin,
Ausgabe 4/2022
Ramona Weyde
Handschrift Magazin,
Ausgabe 18 und 19, 2022
Laura Bertinelli
Mary Hemingway
Design by Women
3. 2. 2022
Jan Oberländer
Tagesspiegel
15. 10. 2021
Lena Simonis
PAGE, Ausgabe 6. 2021
Maria Schraml
Papier Direkt Blog
30. 10. 2020
Sabine Danek
PAGE
8. 9. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
VARIO BüroEinrichtungen Blog
13. 4. 2017
Folge 23, 17. 10. 2024
Folge 98, 25. 1. 2024
Folge 147, November 2023
15. 9. 2023
Berufsverband deutschsprachiger Illustrator*innen
Verein und Museum zur Wahrung und Dokumentation von Buchstaben
ein interdisziplinäres, branchen- und spartenübergreifendes Netzwerk für Geschlechtergerechtigkeit in Kultur und Medien
Netzwerk für Frauen in Type-Design, Lettering und Typografie
There were two bookshops in Walsrode: one carried school supplies and one carried literarure. Guess in which of the two I did an apprenticeship as a bookseller after high school.
Across the street from the literary bookshop was the editorial office of our local newspaper, the Walsroder Zeitung. I always wanted to write, so one day I crossed the street and stammered: »I’m a bookseller in training, can I write book recommendations for you?«
I learned to write and take photos as a local reporter at a rate of 20 Pfennigs per line and 20 Marks per picture. Along the way, I became very good at writing proposal prose and managed to live abroad on scholarships, for a total of three and a half years, twice in Paris and twice in the USA.
Nach meiner Ausbildung wollte ich studieren und war unentschlossen – Journalismus oder Gestaltung? Aber zeichnen war das Einzige, was ich immer weiter probiert habe, obwohl ich mit den Ergebnissen nie zufrieden war. Und weil alle tollen Bilderbücher in der Buchhandlung von der HAW Hamburg kamen, habe ich dort Illustration studiert.
Doch im Studium ging es mir zu oft um Oberflächenbearbeitung. Statt über kompositorische Fragen wollte ich darüber reden, was ich eigentlich mache, wenn ich Bilder mache – bilde ich die Wirklichkeit ab oder stelle ich sie her?
Um dieser Frage nachzugehen, habe ich nach dem Diplom Visual and Critical Studies an der School of the Art Institute in Chicago studiert. Das hieß vor allem: Walter Benjamin und Roland Barthes lesen, vier Semester lang, in jedem Kurs, auf Englisch.
After my master’s degree, I worked as a freelance graphic designer for companies and publishing houses like Gruner+Jahr.
In 2014, I decided to specialize in lettering and called my studio All Things Letters. This way, I no longer had to choose between writing and designing and could work on form and content at the same time.
Since then, I have designed everything with letters for publishers, agencies and companies. I wrote six books about lettering and type design and I also pass on my knowledge in workshops, lectures and on social media.
Besides my nerdy expertise for letters, I really enjoy creating spaces that allow people to meet and exchange ideas, both offline and in the virtual. That’s why I organize the bimonthly Typostammtisch meetup in Hamburg and founded the Berlin Letters Festival with three friends.
Shooting club
1989
Wuermeling-Pass
1990
Job application
1993
Job application
1993
Driver’s License USA
1995
Driver’s License Germany
1996
Job application
1996
youth group leader
1998
Student ID
1998
job application (short hair!)
1998
job application
1998
application internship
2000
application art school
2001
International Student ID
2004
Passport
2005
Carte Orange, Paris
2005
Student ID, Paris
2005
application Fulbright grant
2009
Visa USA
2010
Visa USA
2011
Student ID SAIC Chicago
2010
Visa India
2012
ID Card
2015
website update
2021
Books that shaped me, in more or less chronological order.
Luis Murschetz
Der Maulwurf Grabowski
Jörg Müller
Alle Jahre wieder saust der Presslufthammer nieder
Christine Nöstlinger
Wir pfeifen auf den Gurkenkönig
Ursula Wölfel
Die grauen und die grünen Felder
Gudrun Pausewang
Die Wolke
Gudrun Pausewang
Die letzten Kinder von Schewenborn
Anomym
Fragt mal Alice
Ken Follett
Die Säulen der Erde
Kazuo Ishiguro
The Remains of the Day
Maya Angelou
I Know Why the Caged Bird Sings
Zora Neale Hurston
Their Eyes Were Watching God
Richard Wright
Black Boy
Robert Penn Warren
All the King's Men
Luise F. Pusch
Sonja
Leslie Feinberg
Stone Butch Blues
Alison Bechdel
Dykes to Watch Out For
Audre Lorde
Zami
Annie Ernaux
La Place
Birgit Vanderbeke
Das Muschelessen
Hermann Kant
Die Aula
Rebecca Solnit
A Field Guide to Getting Lost
Shalija Patel
Migritude
Kenneth Goldsmith
Uncreative Writing
Rebecca Solnit
Men Explain Things to Me
Radclyffe Hall
The Well of Loneliness
Karen Köhler
Wir haben Raketen geangelt
Didier Eribon
Rückkehr nach Reims
Anke Stelling
Schäfchen im Trockenen
Ali Smith
Public Library
Marlen Haushofer
Die Wand
Tara Westover
Educated
Svetlana Alexievich
Voices from Chernobyl
Ocean Vuong
On Earth We’re Briefly Gorgeous
Siegfried Lenz
Deutschstunde
Robin Wall Kimmerer
Braiding Sweetgrass
Since 2020, I’ve been keeping a reading list of all the books I read.