Luise F. Pusch
Sonja
Leslie Feinberg
Stone Butch Blues
Alison Bechdel
Dykes to Watch Out For
Audre Lorde
Zami

Shooting club
1989

Wuermeling-Pass
1990

Job application
1993

Job application
1993

Driver’s License USA, 1995

Driver’s License Germany
1996

Job application
1996


youth group leader
1998

Student ID
1998

job application (short hair!)
1998

job application
1998

application internship
2000

application art school
2001

International Student ID
2004

Passport
2005

Carte Orange, Paris
2005

Student ID, Paris
2005

application Fulbright grant
2009

Visa USA
2010


Visa USA
2011

Student ID SAIC Chicago
2010

Visa India
2012

ID Card
2015

website update
2021

There were two bookshops in Walsrode: one carried school supplies and one carried literarure. Guess in which of the two I did an apprenticeship as a bookseller after high school.
Across the street from the literary bookshop was the editorial office of our local newspaper, the Walsroder Zeitung. I always wanted to write, so one day I crossed the street and stammered: »I’m a bookseller in training, can I write book recommendations for you?«
I learned to write and take photos as a local reporter at a rate of 20 Pfennigs per line and 20 Marks per picture. Along the way, I became very good at writing proposal prose and managed to live abroad on scholarships, for a total of three and a half years, twice in Paris and twice in the USA.

After my apprenticeship, I wanted to study and was undecided—journalism or design? But drawing was the only thing I kept trying, even though I was never satisfied with the results. And because all the great picture books in the bookshop came from HAW Hamburg, that was where I went to study illustration.
I often found my classes superficial. Instead of compositional questions, I wanted to talk about what I actually do when I make pictures—do I depict reality or do I create it?
In order to pursue this question, I got myself a Fulbright grant and studied Visual and Critical Studies at the School of the Art Institute in Chicago after graduating. Above all, that meant reading Walter Benjamin and Roland Barthes, for four semesters, in every course, in English.
After my master’s degree, I worked as a freelance graphic designer for companies and publishing houses like Gruner+Jahr.
In 2014, I decided to specialize in lettering and called my studio All Things Letters. This way, I no longer had to choose between writing and designing and could work on form and content at the same time.
Since then, I have designed everything with letters for publishers, agencies and companies. I wrote six books about lettering and type design and I also pass on my knowledge in workshops, lectures and on social media.
Besides my nerdy expertise for letters, I really enjoy creating spaces that allow people to meet and exchange ideas, both offline and in the virtual. That’s why I organize the bimonthly Typostammtisch meetup in Hamburg and founded the Berlin Letters Festival with three friends.
Books that shaped me, in more or less chronological order.
Luis Murschetz
Der Maulwurf Grabowski
Jörg Müller
Alle Jahre wieder saust der Presslufthammer nieder
Christine Nöstlinger
Wir pfeifen auf den Gurkenkönig
Ursula Wölfel
Die grauen und die grünen Felder
Gudrun Pausewang
Die Wolke
Gudrun Pausewang
Die letzten Kinder von Schewenborn
Anomym
Fragt mal Alice
Ken Follett
Die Säulen der Erde
Kazuo Ishiguro
The Remains of the Day
Maya Angelou
I Know Why the Caged Bird Sings
Zora Neale Hurston
Their Eyes Were Watching God
Richard Wright
Black Boy
Robert Penn Warren
All the King’s Men
Luise F. Pusch
Sonja
Leslie Feinberg
Stone Butch Blues
Alison Bechdel
Dykes to Watch Out For
Audre Lorde
Zami
Annie Ernaux
La Place
Birgit Vanderbeke
Das Muschelessen
Hermann Kant
Die Aula
Rebecca Solnit
A Field Guide to Getting Lost
Shalija Patel
Migritude
Kenneth Goldsmith
Uncreative Writing
Rebecca Solnit
Men Explain Things to Me
Radclyffe Hall
The Well of Loneliness
Karen Köhler
Wir haben Raketen geangelt
Didier Eribon
Rückkehr nach Reims
Anke Stelling
Schäfchen im Trockenen
Ali Smith
Public Library
Marlen Haushofer
Die Wand
Tara Westover
Educated
Svetlana Alexievich
Voices from Chernobyl
Ocean Vuong
On Earth We’re Briefly Gorgeous
Siegfried Lenz
Deutschstunde
Robin Wall Kimmerer
Braiding Sweetgrass
ART Magazin, Chrismon, FLOW, GEOEpoche, GEOSaison, GEOMini, UniSPIEGEL, SPIEGELWissen, Der Freitag
Nest One, New Work SE, Filmfest Hamburg, Fuenfwerken Design AG, G.W.A Westphal Tee, Ketchum Pleon, opus 5, Zimmermann Editorial,
Museum für Kunst und Gewerbe, Hamburg
Museum für Konkrete Kunst, Ingoldstadt
Buddenbrookhaus, Lübeck
Bundesministerium der Finanzen
Kreativ Gesellschaft Hamburg
29. 5. 2026
Keynote bei der re_CREATION
Berufsverbandes Kommunikationsdesign, BDG
Potsdam
19. 5. 2026
WEI SRAUM Designforum Tirol, Innsbruck
21. 11. 2025
Keynote
Encontro de Tipografia, Associação de Tipografia de Portugal (Atipo)
Póvoa de Varzim, Portugal
6. 11. 2025
with Simon Wahlers (Zweifel)
Typostammtisch Hamburg at the Design Zentrum Hamburg
21. 11. 2025
Keynote
Encontro de Tipografia, Associação de Tipografia de Portugal (Atipo)
Póvoa de Varzim, Portugal
6. 11. 2025
with Simon Wahlers (Zweifel)
Typostammtisch Hamburg at the Design Zentrum Hamburg
8. 10. 2025
tga — typografische gesellschaft austria, Wien
24. 10. 2024
Design Thirsty, Hamburg
28. 9. 2024
Graphit Symposium, Erfurt
7. 7. 2024
Berlin Letters Festival
13. 5. 2024
beyond tellerrand, Düsseldorf
15. 11. 2023
c't <webdev> 2023, Köln
8. 10. 2023
Lettering Days München
13. 6. 2023
Museum für Kunst & Gewerbe, Hamburg
25. 4. 2023
Typografische Gesellschaft München
19. 10. 2022
Adobe MAX, Los Angeles
9. 4. 2022
Tag der Schrift
Schule für Gestaltung Zürich
17. 5. 2019
Berlin Letters Festival
18. 5. 2018
TYPO Berlin
24. 5. 2017
TYPO Berlin
17. 5. 2017
in der Reihe »Spezial Material«, HAW Hamburg
21. 4. 2016
Hochschule Trier
10. 12. 2015
Gastvortrag an der BTK Berlin
Pecha Kucha Night Hamburg, Imperialtheater
18. 2. 2015
Pecha Kucha Night Hamburg, St. Johanniskirche
20. 11. 2013
Pecha Kucha Night im Buchstabenmuseum Berlin
16. 3. 2013

VaroomLab Symposium, Arts University Bournemouth
18. 9. 2014
3. Illustration Research Symposium, Ethnographic Museum Krakow
8. 1. 2012
Queertopia! 4.0: Queer(ing) Poetics: Text, Method, Movement, Thought; Northwestern University
28. 5. 2011
Making Space – Annual Art History Graduate Student Conference; Concordia University, Montréal
12. 3. 2011
Sommersemester 2026
Sommersemester 2026
Einführungskurs Schrift im Studiengang Illustration,
Sommersemester 2020, 2021, 2023, 2024
Laborkurs
Wintersemester 2022
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Wintersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2013
Experimentelles Lettering
Sommersemester 2021
Blockseminar während der Projektwoche, 3. 2017
Blockseminar während der Projektwoche, 12. 2014
as a part of »Fine Estate in Calligrafia«
Associazione Calligrafica Italiana
20.-24. 8. 2025
Social Design Week Hamburg
Design Zentrum Hamburg
4. 4. 2025
Graphit Festival Erfurt
28. 9. 2024
Museum für Kunst & Gewerbe, Hamburg
10. 2. 2024
Lettering Days München
7. 10. 2023
HAW Hamburg
1. und 2. 4. 2023
TypeCon, Minneapolis
29. 8. 2019
Berlin Letters Festival
18. 5. 2019
Sketchnote Barcamp Hannover
2. 11. 2018
TYPO Berlin
17. 5. 2018

BoD
1. edition 2026
more about this book
2. edition 2025
BoD
in der Künstlerbuchreihe »100for10«
Melville Brand Design, München
1. edition 2020
more about this book
Verlag Hermann Schmidt, Mainz
1. edition 2019
more about this book
Slanted Publishers, 2023
ISBN 978-3-948440-53-4
Marty Blake
Bloomsbury Publishing, 2021
ISBN 978-1-35006691-5
Stipendiatin des Landes Niedersachsen
2023
Neustart-Stipendium
2022
Stipendium für zwei Gastsemester an der École nationale supérieure des Arts Décoratifs, Paris
2005
Reisestipendium
2001
Deutsch-Französischer Praktikant*innen-Austausch
2001
Nina Kirst
PAGE
Ausgabe 9. 2023
Raphael Dillhoff
ART Magazin,
Ausgabe 4/2022
Ramona Weyde
Handschrift Magazin,
Ausgabe 18 und 19, 2022
Laura Bertinelli
Mary Hemingway
Design by Women
3. 2. 2022
Jan Oberländer
Tagesspiegel
15. 10. 2021
Lena Simonis
PAGE, Ausgabe 6. 2021
Maria Schraml
Papier Direkt Blog
30. 10. 2020
Sabine Danek
PAGE
8. 9. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
Ralph Alexowitz
NDR Nordtour
5. 4. 2020
VARIO BüroEinrichtungen Blog
13. 4. 2017
Folge 23, 17. 10. 2024
Folge 98, 25. 1. 2024
Folge 147, November 2023
15. 9. 2023

ein interdisziplinäres, branchen- und spartenübergreifendes Netzwerk für Geschlechtergerechtigkeit in Kultur und Medien
Netzwerk für Frauen in Type-Design, Lettering und Typografie
Berufsverband deutschsprachiger Illustrator*innen
Verein und Museum zur Wahrung und Dokumentation von Buchstaben

There were two bookshops in Walsrode: one carried school supplies and one carried literarure. Guess in which of the two I did an apprenticeship as a bookseller after high school.
Across the street from the literary bookshop was the editorial office of our local newspaper, the Walsroder Zeitung. I always wanted to write, so one day I crossed the street and stammered: »I’m a bookseller in training, can I write book recommendations for you?«
I learned to write and take photos as a local reporter at a rate of 20 Pfennigs per line and 20 Marks per picture. Along the way, I became very good at writing proposal prose and managed to live abroad on scholarships, for a total of three and a half years, twice in Paris and twice in the USA.

After finishing my apprenticeship, I wanted to go to college but was undecided: journalism or design? Drawing was the only thing I kept trying, even though I was never satisfied with the results. And since all the great picture books in the bookstore came from HAW Hamburg, I studied illustration there.
But during my studies, I felt the focus was too often on surface treatment. Instead of discussing compositional issues, I wanted to talk about what I’m actually doing when I create images—am I depicting reality or am I constructing it?
To explore this question, I went on to study Visual and Critical Studies at the School of the Art Institute of Chicago after earning my diploma. That meant, above all, reading Walter Benjamin and Roland Barthes for four semesters, in every course, in English.

After my master’s degree, I worked as a freelance graphic designer for companies and publishing houses like Gruner+Jahr.
In 2014, I decided to specialize in lettering and called my studio All Things Letters. This way, I no longer had to choose between writing and designing and could work on form and content at the same time.
Since then, I have designed everything with letters for publishers, agencies and companies. I wrote six books about lettering and type design and I also pass on my knowledge in workshops, lectures and on social media.
Besides my nerdy expertise for letters, I really enjoy creating spaces that allow people to meet and exchange ideas, both offline and in the virtual. That’s why I organize the bimonthly Typostammtisch meetup in Hamburg and founded the Berlin Letters Festival with three friends.

Shooting club
1989

Wuermeling-Pass
1990

Job application
1993

Job application
1993

Driver’s License USA
1995

Driver’s License Germany
1996

Job application
1996


youth group leader
1998

Student ID
1998

job application (short hair!)
1998

job application
1998


application internship
2000

application art school
2001

International Student ID
2004

Passport
2005

Carte Orange, Paris
2005

Student ID, Paris
2005

application Fulbright grant
2009

Visa USA
2010


Visa USA
2011

Student ID SAIC Chicago
2010

Visa India
2012

ID Card
2015

website update
2021
ART Magazin, Chrismon, FLOW, GEOEpoche, GEOSaison, GEOMini, UniSPIEGEL, SPIEGELWissen, Der Freitag
Nest One, New Work SE, Filmfest Hamburg, Fuenfwerken Design AG, G.W.A Westphal Tee, Ketchum Pleon, opus 5, Zimmermann Editorial,
Museum für Kunst und Gewerbe, Hamburg
Museum für Konkrete Kunst, Ingoldstadt
Buddenbrookhaus, Lübeck
Bundesministerium der Finanzen
Kreativ Gesellschaft Hamburg

29. 5. 2026
Keynote bei der re_CREATION
Berufsverbandes Kommunikationsdesign, BDG
Potsdam
19. 5. 2026
WEI SRAUM Designforum Tirol, Innsbruck
21. 11. 2025
Keynote
Encontro de Tipografia, Associação de Tipografia de Portugal (Atipo)
Póvoa de Varzim, Portugal
6. 11. 2025
with Simon Wahlers (Zweifel)
Typostammtisch Hamburg at the Design Zentrum Hamburg
21. 11. 2025
Keynote
Encontro de Tipografia, Associação de Tipografia de Portugal (Atipo)
Póvoa de Varzim, Portugal
6. 11. 2025
with Simon Wahlers (Zweifel)
Typostammtisch Hamburg at the Design Zentrum Hamburg
8. 10. 2025
tga — typografische gesellschaft austria, Wien
24. 10. 2024
Design Thirsty, Hamburg
28. 9. 2024
Graphit Symposium, Erfurt
7. 7. 2024
Berlin Letters Festival
13. 5. 2024
beyond tellerrand, Düsseldorf
15. 11. 2023
c't <webdev> 2023, Köln
8. 10. 2023
Lettering Days München
13. 6. 2023
Museum für Kunst & Gewerbe, Hamburg
25. 4. 2023
Typografische Gesellschaft München
19. 10. 2022
Adobe MAX, Los Angeles
9. 4. 2022
Tag der Schrift
Schule für Gestaltung Zürich

17. 5. 2019
Berlin Letters Festival
18. 5. 2018
TYPO Berlin
24. 5. 2017
TYPO Berlin
17. 5. 2017
in der Reihe »Spezial Material«, HAW Hamburg
21. 4. 2016
Hochschule Trier
10. 12. 2015
Gastvortrag an der BTK Berlin
Pecha Kucha Night Hamburg, Imperialtheater
18. 2. 2015
Pecha Kucha Night Hamburg, St. Johanniskirche
20. 11. 2013
Pecha Kucha Night im Buchstabenmuseum Berlin
16. 3. 2013
VaroomLab Symposium, Arts University Bournemouth
18. 9. 2014
3. Illustration Research Symposium, Ethnographic Museum Krakow
8. 1. 2012
Queertopia! 4.0: Queer(ing) Poetics: Text, Method, Movement, Thought; Northwestern University
28. 5. 2011
Making Space – Annual Art History Graduate Student Conference; Concordia University, Montréal
12. 3. 2011

Sommersemester 2026
Sommersemester 2026
Einführungskurs Schrift im Studiengang Illustration,
Sommersemester 2020, 2021, 2023, 2024
Laborkurs
Wintersemester 2022
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Wintersemester 2014
Lektüreseminar Kunst- und Designgeschichte, Sommersemester 2013
Experimentelles Lettering
Sommersemester 2021
Blockseminar während der Projektwoche, 3. 2017
Blockseminar während der Projektwoche, 12. 2014
as a part of »Fine Estate in Calligrafia«
Associazione Calligrafica Italiana
20.-24. 8. 2025
Social Design Week Hamburg
Design Zentrum Hamburg
4. 4. 2025
Graphit Festival Erfurt
28. 9. 2024
Museum für Kunst & Gewerbe, Hamburg
10. 2. 2024
Lettering Days München
7. 10. 2023
HAW Hamburg
1. und 2. 4. 2023
TypeCon, Minneapolis
29. 8. 2019
Berlin Letters Festival
18. 5. 2019
Sketchnote Barcamp Hannover
2. 11. 2018
TYPO Berlin
17. 5. 2018

BoD
1. edition 2026
more about this book
2. edition 2025
BoD
in der Künstlerbuchreihe »100for10«
Melville Brand Design, München
1. edition 2020
more about this book
Verlag Hermann Schmidt, Mainz
1. edition 2019
more about this book

Slanted Publishers, 2023
ISBN 978-3-948440-53-4
Marty Blake
Bloomsbury Publishing, 2021
ISBN 978-1-35006691-5

Stipendiatin des Landes Niedersachsen
2023
Neustart-Stipendium
2022
Stipendium für zwei Gastsemester an der École nationale supérieure des Arts Décoratifs, Paris
2005
Reisestipendium
2001
Deutsch-Französischer Praktikant*innen-Austausch
2001

Nina Kirst
PAGE
Ausgabe 9. 2023
Raphael Dillhoff
ART Magazin,
Ausgabe 4/2022
Ramona Weyde
Handschrift Magazin,
Ausgabe 18 und 19, 2022
Laura Bertinelli
Mary Hemingway
Design by Women
3. 2. 2022
Jan Oberländer
Tagesspiegel
15. 10. 2021
Lena Simonis
PAGE, Ausgabe 6. 2021
Maria Schraml
Papier Direkt Blog
30. 10. 2020
Sabine Danek
PAGE
8. 9. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
Stefan Reckziegel
Hamburger Abendblatt
15. 4. 2020
Ralph Alexowitz
NDR Nordtour
5. 4. 2020
VARIO BüroEinrichtungen Blog
13. 4. 2017
Folge 23, 17. 10. 2024
Folge 98, 25. 1. 2024
Folge 147, November 2023
15. 9. 2023


Berufsverband deutschsprachiger Illustrator*innen
Verein und Museum zur Wahrung und Dokumentation von Buchstaben
ein interdisziplinäres, branchen- und spartenübergreifendes Netzwerk für Geschlechtergerechtigkeit in Kultur und Medien
Netzwerk für Frauen in Type-Design, Lettering und Typografie

Books that shaped me, in more or less chronological order.
Luis Murschetz
Der Maulwurf Grabowski
Jörg Müller
Alle Jahre wieder saust der Presslufthammer nieder
Christine Nöstlinger
Wir pfeifen auf den Gurkenkönig
Ursula Wölfel
Die grauen und die grünen Felder
Gudrun Pausewang
Die Wolke
Gudrun Pausewang
Die letzten Kinder von Schewenborn
Anomym
Fragt mal Alice
Ken Follett
Die Säulen der Erde
Kazuo Ishiguro
The Remains of the Day
Maya Angelou
I Know Why the Caged Bird Sings
Zora Neale Hurston
Their Eyes Were Watching God
Richard Wright
Black Boy
Robert Penn Warren
All the King's Men
Luise F. Pusch
Sonja
Leslie Feinberg
Stone Butch Blues
Alison Bechdel
Dykes to Watch Out For
Audre Lorde
Zami
Annie Ernaux
La Place
Birgit Vanderbeke
Das Muschelessen
Hermann Kant
Die Aula
Rebecca Solnit
A Field Guide to Getting Lost
Shalija Patel
Migritude
Kenneth Goldsmith
Uncreative Writing
Rebecca Solnit
Men Explain Things to Me
Radclyffe Hall
The Well of Loneliness
Karen Köhler
Wir haben Raketen geangelt
Didier Eribon
Rückkehr nach Reims
Anke Stelling
Schäfchen im Trockenen
Ali Smith
Public Library
Marlen Haushofer
Die Wand
Tara Westover
Educated
Svetlana Alexievich
Voices from Chernobyl
Ocean Vuong
On Earth We’re Briefly Gorgeous
Siegfried Lenz
Deutschstunde
Robin Wall Kimmerer
Braiding Sweetgrass


