I developed a connected script that contains elements of the old German Kurrent script, for example angular, broken curves on letters like »n«, »m« and »u«. I also replaced some Latin letters with their Kurrent equivalents, like the »d« and the »r«.

First I wrote the quotes very small in pencil, like a stylized handwriting. Then I redrew the writing digitally with vector curves.

Vectorizing is a time-consuming and hypnotic process: the biggest challenge is to fine-tune the letterforms without getting lost in their details.

I correct the vector drawing on paper, because imbalances are easier to recognize in print. The many notes in red serve as work assignments for the next round of revisions.

In the final vector drawing, the letters are consistent throughout but adapted to their word context.

From the small handwritten sketch to bold lettering that is 70 centimeters wide.

We opted for bright yellow vinyl for the production because it is easy to see on dark windows and looks contemporary in contrast to the historicized letterforms.

To avoid the lettering looking nostalgic, I didn’t want it to look handmade. Instead, I designed clear shapes with smooth edges.

One of the quotes on the door of the high school Wolfgang Borchert attended.

On some doors the quotes remained far beyond the festival week.