My office in a former shop on Hamburg’s Venusberg has walls on three sides and one side completely made of glass. Since 2018, I’ve been painting the shop window with a new alphabet every few months. The series is called »Window Alphabets«.
In keeping with my profession, I’ve been painting an alphabet on my office window every few months since 2018. In this post I describe how I go about it and answer the questions I’m often asked about the »Window Alphabets«.
I develop my lettering alphabets by constantly drawing in my sketchbook. Every once in a while, I come up with ideas that I’d like to see in large or that would make a great showcase alphabet.
When I have found an idea, I draw a draft in the proportions of my window. I draw the design about the size of my hand and work it out in several steps on tracing paper.
I draw a grid over the sketch, and on the window to transfer the drawing more easily.
I wet the previous alphabet with warm water, wash it off with a sponge and remove paint residues with a scraper. Then I clean the window with window cleaner, because once it is painted, cleaning it would damage the paint.
Using the grid on my sketch, I calculate the space between the guide lines. I measure them out on the window pane and make marks with a crayon that writes on glass. Then I use a chalk line to draw the guide lines on the the glass.
I make the preliminary drawing on the inside with a colored pencil that draws on glass. I draw freehand with the help of the grid.
photo: Hari Klein
I paint freehand on the outside of the window with white acrylic paint. For most alphabets I use a flat brush. I use a scraper with razor blade to make corrections. I paint in white because it is best seen on the dark background of the room.
At the end, I remove the preliminary drawing and clean the window on the inside.
I paint my alphabets with simple acrylic paint. It’s inexpensive and easy to remove, either with a razor blade or with water and a sponge. If I wet the paint, it comes off and washes off very easily. I scrape off any residue with a razor blade scraper.
In most cases, it makes sense to use white or another light color, because window panes look dark from a distance, light colors are best to see.
Watch out: On my shop window acrylic paint lasts for months, because the house over the window juts out a meter. This means the window is protected from direct rain. I once painted a storefront window that was exposed to rain, there the moisture made the acrylic paint brittle and partially washed off within a few days.
I have no tips on what paint is suitable for windows that are not protected from the rain. My recommendation would be to paint mirrored on the inside.
My window alphabets—like all my work—are not based on specific fonts, but I design the fonts myself. That’s the thing about them.
After ten years of specializing in lettering, I know the basic letter shapes so well that I can vary them freely. That’s actually the idea behind the »Window Alphabet« series: I keep altering the familiar shapes of the alphabet in interesting new ways.
I develop my ideas in my sketchbook by drawing all the time. Anything can be an inspiration for an alphabet. I came up with the »Weirdphabet« because someone told me that her child draws the »E« with any number of crossbars.
When I drew the »Monoline Condensed« alphabet, I wanted to create a script ABC and squeeze all 26 letters next to each other on the window. That way each letter automatically became very narrow.
I paint by hand, without stencils. Depending on the alphabet, I either make a relatively precise preliminary drawing or I paint freehand. That works for me because I have a lot of experience with my hands.
On the photos with the overall view, the letters look very even, but up close you can see the irregularities. The nice thing about painting on glass is that I can always correct it by scraping the paint off again. I have already scratched off half an alphabet again, because I only noticed at the »P« that I had forgotten the »G«.
photo: Hari Klein
Well, for fun, of course! And I wanted to take advantage of having such a nice big window space available … Besides, the shop window thus fulfills its original purpose: the alphabets draw attention to my work. At the same time, they serve as a curtain to curb the curiosity of passers-by—my office space is not very big and many of the people who pass by it stop and watch me work: »Oh, look, she’s painting!« I am not super comfortable with show working like that so I’d rather give them another eye-catcher.
photo: Hari Klein
13 window alphabets since October 2018. Have a look at them here in chronological order or see them here in large.
My office in a former shop on Hamburg’s Venusberg has walls on three sides and one side completely made of glass. Since 2018, I’ve been painting the shop window with a new alphabet every few months. The series is called »Window Alphabets«.
In keeping with my profession, I’ve been painting an alphabet on my office window every few months since 2018. In this post I describe how I go about it and answer the questions I’m often asked about the »Window Alphabets«.
I develop my lettering alphabets by constantly drawing in my sketchbook. Every once in a while, I come up with ideas that I’d like to see in large or that would make a great showcase alphabet.
When I have found an idea, I draw a draft in the proportions of my window. I draw the design about the size of my hand and work it out in several steps on tracing paper.
I draw a grid over the sketch, and on the window to transfer the drawing more easily.
I wet the previous alphabet with warm water, wash it off with a sponge and remove paint residues with a scraper. Then I clean the window with window cleaner, because once it is painted, cleaning it would damage the paint.
Using the grid on my sketch, I calculate the space between the guide lines. I measure them out on the window pane and make marks with a crayon that writes on glass. Then I use a chalk line to draw the guide lines on the the glass.
I make the preliminary drawing on the inside with a colored pencil that draws on glass. I draw freehand with the help of the grid.
photo: Hari Klein
I paint freehand on the outside of the window with white acrylic paint. For most alphabets I use a flat brush. I use a scraper with razor blade to make corrections. I paint in white because it is best seen on the dark background of the room.
At the end, I remove the preliminary drawing and clean the window on the inside.
I paint my alphabets with simple acrylic paint. It’s inexpensive and easy to remove, either with a razor blade or with water and a sponge. If I wet the paint, it comes off and washes off very easily. I scrape off any residue with a razor blade scraper.
In most cases, it makes sense to use white or another light color, because window panes look dark from a distance, light colors are best to see.
Watch out: On my shop window acrylic paint lasts for months, because the house over the window juts out a meter. This means the window is protected from direct rain. I once painted a storefront window that was exposed to rain, there the moisture made the acrylic paint brittle and partially washed off within a few days.
I have no tips on what paint is suitable for windows that are not protected from the rain. My recommendation would be to paint mirrored on the inside.
My window alphabets—like all my work—are not based on specific fonts, but I design the fonts myself. That’s the thing about them.
After ten years of specializing in lettering, I know the basic letter shapes so well that I can vary them freely. That’s actually the idea behind the »Window Alphabet« series: I keep altering the familiar shapes of the alphabet in interesting new ways.
I develop my ideas in my sketchbook by drawing all the time. Anything can be an inspiration for an alphabet. I came up with the »Weirdphabet« because someone told me that her child draws the »E« with any number of crossbars.
When I drew the »Monoline Condensed« alphabet, I wanted to create a script ABC and squeeze all 26 letters next to each other on the window. That way each letter automatically became very narrow.
I paint by hand, without stencils. Depending on the alphabet, I either make a relatively precise preliminary drawing or I paint freehand. That works for me because I have a lot of experience with my hands.
On the photos with the overall view, the letters look very even, but up close you can see the irregularities. The nice thing about painting on glass is that I can always correct it by scraping the paint off again. I have already scratched off half an alphabet again, because I only noticed at the »P« that I had forgotten the »G«.
photo: Hari Klein
Well, for fun, of course! And I wanted to take advantage of having such a nice big window space available … Besides, the shop window thus fulfills its original purpose: the alphabets draw attention to my work. At the same time, they serve as a curtain to curb the curiosity of passers-by—my office space is not very big and many of the people who pass by it stop and watch me work: »Oh, look, she’s painting!« I am not super comfortable with show working like that so I’d rather give them another eye-catcher.
photo: Hari Klein
13 window alphabets since October 2018. Have a look at them here in chronological order or see them here in large.
Ligature Alphabet, 10.2018
Frakturphabet, 6.2019
Weirdphabet, 12. 2019
Monoline Condensed, 3.2020
Dripphabet, 5.2020
Horizontalphabet, 8.2020
Snowballphabet, 12.2020
Patternphabet, 3.2021
Wobblephabet, 04. 2022
Scratchphabet, 12.2022
Halphabet, 1.2023
Flipphabet, 10.2023
Negativespacephabet, 7.2024
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No really,
you should subscribe to my newsletter.
You’ve already subscribed to far too many newsletters, I know. But my newsletter is really great! At least that’s what it says in the spontaneous replys I get each time I send one out.
So if you want to be the first to know what I’m working on, what events Im organizing and what books I’m recommending,