Condensing the character of a person or brand in custom lettering is a special pleasure.
Lettering for logos
concept, lettering and final artwork
variable
2014 bis heute
various
2023 – Logotype für das Berlin Letters Festival 2024, das ich mit drei Freund*innen organisiere. Berlin Letters ist ein Festival für Lettering, Type-Design, Kalligrafie und alle anderen Disziplinen der Schriftgestaltung.
A animated version of the Berlin Letters logo, brought to life in AfterEffects.
2024 – »Dogs« title lettering for a book
2022 – Lettering title for a series of blog posts, each with five book tips on one topic
2019 – fgj, three letters as a signet for the blog »Freiwilliges grammatikalisches Jahr« (grammar volunteer service), which is about phenomena of everyday language. Unfortunately, the blog didn’t get very far, but I’m sure it wasn’t because of the logo!
The fgj logo as a stamp makes the whole thing much more official.
2018 – Rowohlt Verlag commissioned me to design a logo for their new »Kyss« romance series. One thing was clear: it should look like brush lettering.
The Kyss logo not only works on the cover of romance novels, but also on other sweets.
2018 – logotype for radio journalist and author Lydia Herms, who now specializes in plain and simple language.
2018 – Lettering logo for the Hamburg Picture Book Prize, which promotes the art of illustration. Since 2019 the prize has been awarded every two years by the New Picture Book Association.
From large to extremely small—when I reduce the size of very large writing, the energy of the large writing movements is retained even in the small logo.
2018 – founded in Hamburg in 2018, the New Picture Book Association promotes picture book art by awarding the biannual Hamburg Picture Book Prize.
2018 – The New Picture Book Association is associated with the International Network for Picture Book Studies at University of Applied Arts in Hamburg. That’s why the three lettering logos are related to each other.
2019 – At the first edition of the Berlin Letters Festival in May 2019, the logo looked very different.
That’s how it should be: At the 2019 festival, the Berlin Letters logo was everywhere.
Foto: Norman Posselt, Berlin
2020 – logotype for the copywriter Stefanie Frida Lemke
2021 – Lettering for the copywriter Jens Wulsten and his office Feintexterei.
2016 – Logo lettering for photographer Heike Bogenberger, who specializes in photos of authors.
2022 – Logo design for the Bewegungsraum in Hamburg’s Gängeviertel—an open, self-managed training and rehearsal space for dance, movement and choreography.
2015 – There comes a time in every graphic designer’s life when a yoga teacher friend asks for a logo. In my life, this moment came in 2015. The design for Andrea Wolf’s Yoga Deli was my first logo ever.
In 2019, the All Things Letters logo was simple and monolinear.
2023 – Four years later, All Things Letters presents itself bold and dynamic.
2023 – the All Things Letters logo as a liquid animation
Because logo lettering always reflects its time when it was made, I noted the year of each of these designs.
2023 – Logotype für das Berlin Letters Festival 2024, das ich mit drei Freund*innen organisiere. Berlin Letters ist ein Festival für Lettering, Type-Design, Kalligrafie und alle anderen Disziplinen der Schriftgestaltung.
A animated version of the Berlin Letters logo, brought to life in AfterEffects.
2024 – »Dogs« title lettering for a book
2022 – Lettering title for a series of blog posts, each with five book tips on one topic
2019 – fgj, three letters as a signet for the blog »Freiwilliges grammatikalisches Jahr« (grammar volunteer service), which is about phenomena of everyday language. Unfortunately, the blog didn’t get very far, but I’m sure it wasn’t because of the logo!
The fgj logo as a stamp makes the whole thing much more official.
2018 – Rowohlt Verlag commissioned me to design a logo for their new »Kyss« romance series. One thing was clear: it should look like brush lettering.
The Kyss logo not only works on the cover of romance novels, but also on other sweets.
2018 – logotype for radio journalist and author Lydia Herms, who now specializes in plain and simple language.
2018 – Lettering logo for the Hamburg Picture Book Prize, which promotes the art of illustration. Since 2019 the prize has been awarded every two years by the New Picture Book Association.
From large to extremely small—when I reduce the size of very large writing, the energy of the large writing movements is retained even in the small logo.
2018 – founded in Hamburg in 2018, the New Picture Book Association promotes picture book art by awarding the biannual Hamburg Picture Book Prize.
2018 – The New Picture Book Association is associated with the International Network for Picture Book Studies at University of Applied Arts in Hamburg. That’s why the three lettering logos are related to each other.
2019 – At the first edition of the Berlin Letters Festival in May 2019, the logo looked very different.
That’s how it should be: At the 2019 festival, the Berlin Letters logo was everywhere.
Foto: Norman Posselt, Berlin
2020 – logotype for the copywriter Stefanie Frida Lemke
2021 – Lettering for the copywriter Jens Wulsten and his office Feintexterei.
2016 – Logo lettering for photographer Heike Bogenberger, who specializes in photos of authors.
2022 – Logo design for the Bewegungsraum in Hamburg’s Gängeviertel—an open, self-managed training and rehearsal space for dance, movement and choreography.
2015 – There comes a time in every graphic designer’s life when a yoga teacher friend asks for a logo. In my life, this moment came in 2015. The design for Andrea Wolf’s Yoga Deli was my first logo ever.
In 2019, the All Things Letters logo was simple and monolinear.
2023 – Four years later, All Things Letters presents itself bold and dynamic.
2023 – the All Things Letters logo as a liquid animation
Condensing the character of a person or brand in custom lettering is a special pleasure.
Lettering for logos
concept, lettering and final artwork
variable
2014 bis heute
various
Because logo lettering always reflects its time when it was made, I noted the year of each of these designs.
More work
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No really,
you should subscribe to my newsletter.
You’ve already subscribed to far too many newsletters, I know. But my newsletter is really great! At least that’s what it says in the spontaneous replys I get each time I send one out.
So if you want to be the first to know what I’m working on, what events Im organizing and what books I’m recommending,